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200

The Harbor

1917
Oil on canvas
24 x 30 in. (60.96 x 76.2 cm)
Signed lower left: John F. Folinsbee
Folinsbee 191220s stockbook: p. 168
Private collection

Provenance

Estate of the artist
Private collection, 1976

Exhibition History

1917 Ferargil II: Paintings by John Folinsbee
1919 Bressler Gallery Milwaukee: An exhibition with Charles Rosen and Emily Groom
1919 MFA Boston
1920 McClees: Paintings of John F. Folinsbee, no. 6
2010 Woodmere Art Museum Phila: John Folinsbee and American Modernism
2013 Hudson: Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940, no. 24, ill., p. 117

Published References

Caffin 1917b: "John Folinsbee's Steady Advance"
NY Times 1917e
Wisconsin News 1919
Vose 1972: Appraisal of Pictures, Estate of John F. Folinsbee, June 20, 1972, #546
Jensen 2007: "Contour, Bones, and Skin: Cezanne's Influence on John Folinsbee," p. 51, color ill.
Jensen 2013: Folinsbee Considered, p. 17, color ill. (e.), detail; p. 150 color plate 7; p. 232, cat entry
Jensen & Bland 2013: Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940, p. 117, color illus.

Sketches/studies:

New York Harbor, 1916–17 (792)
New York Harbor, 1916–17 (502)

Related Works

New York Harbor, 1916–17 (502)
New York Harbor, 1916–17 (792)
Tugboats, New York Harbor, 1916–17 (1494)
Brooklyn Roofs, 1920–21 (1282)